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Christine Borland
CATÀLEGS Selected #5, A source for Video Art Lovers, LOOP2010 Video Art Fair, Barcelona, 2010 Dopplereffekt, Bilder in Kunst und Wissenschaft, Kunsthalle zu Kiel, Kiel Christine Borland. Preserves. The Fruitmarket Gallery, Edinburgh, 2006 Diagnose [Kunst]. Kunstmuseum Alhlen, Ahlen, 2007 2nd Tyne International, Newcastle–upon-Tyne, 1993 Absence/Presence, Kopavogur Art Museum, Reykjavik, Iceland. Essay by Michael Tarantino Aperto, XLV Venice Biennale, 1993. Essay by Ian C. Hunt Art Transpenine, Tate Gallery Liverpool, 1998. Essays by Lewis Biggs and Robert Hopper. Art Unlimited - Multiples of the 60's & 90's, Essay by Andrew Patrizio Breakfast in Budapest, Uljak Exhibition Hall, Budapest, Hungary, 1995 The British Art Show 4, Essays by Rose Finn-Kelcey, Thomas Lawson & Richard Cork The Cauldron, Henry Moore Sculpture Studio, Leeds, Great Britain, Essay by Gregor Muir Christine Borland, FRACE Languedoc-Roussillon, Montpellier, 1997 Christine Borland, York University Art Gallery, Toronto, Canada, 2001. Christine Borland and Craig Richardson, London, Chisenhale Gallery, essay by Ian C. Hunt Close Echoes, The City Gallery, Prague, Czech Republic / Kunsthalle Krens, Austria, 1998. Connections Implicities, Ecole Nationale Superiere des Beaux Arts, Paris, France, 1997. Curious. Artists Research Within Expert Culture, Visual Art Project, Glasgow, Scotland, 1999. Essay by Lisa Scwarz. East of Eden, Witte de With Cahier No 2 (incorporating 'Watt' Exhibition) Flexible, Museum fur Gegenwarts Kunst, Zurich, 1997. Fontanelle, Kunstpeicher Potsdam, Germany From Life, Tramway, Glasgow, Essays by Charles Esche and Frances McKee Full House, Kunstmuseum, Wolfsburg, Germany, 1996. The Gaze, Essays by Carles Esche & Frances McKee Guilt by Association, Irish Museum of Modern Art, Dublin, 1992. Essay by Tom Lawson Here to Stay, Arts Council Collection, Purchases of the 90s, Britain. Humid, Spike Island, Bristol, England, 2001 Ik & De Ander, Dignity for All; Reflections on Humanity, Essay by Hou Hanrou In and Out/Back and Forth, 578 Broadway, New York, Essays by Ross Sinclair, Laura Cottingham & Adrian Dannat, Kunst Europa, The Institute of Cultural Anxiety, I.C.A. London, 1994 Essay by Jeremy Miller. Kunst Europa, Kunstverein Karlsruhe, Germany, 1991. Essay by Lorna J. Waite. Letter and Event, Apex Art CP, New York, 1997. Essay by Maria Lind. Life/Live, Centro Cultural de Belém, Lisbon, 1997. Maikafer Flieg, Hochbunker Cologne/Ehrenfeld, Germany 1995. Essays by Ross Sinclair, Radek Vana & Sabine Muller Manifesta 2, Casino Luxembourg, Luxembourg, 1998. Material Culture, Hayward Gallery, London, England, 1996. Mirroring Evil, Nazi Imagery/Recent Art, Norman Kleeblat, The Jewish Museum, 2002. The Monster’s Monologue, Institute of Modern Art, Frac Languedoc-Roussillon, 1997. Essay by Greg Hilty. More Time/Less History, Fundacao Serralves, Oporto, Portugal, 1996. Moving Targets 2: A Users Guide to British Art Now. London: Tate Publishing, 2000, pp. 43 - 45, by Louisa Buck. Nach Weimar, Essays by Nicolas Schafhausen, Klaus Bisenbach, Hans Ulrich Obrist, Joshua Decter and Barbera Steiner Nettwerk-Glasgow, Museum for Samtidskunst, Oslo, Norway, 1998. Essay by Kari Brantzaeg. New Art From Britain, Kunstraum Innsbruck, Austria, 1998. New Art In Britain, Museum Sztuki, Lodz, Poland, 1995. Essay by Michael Craig –Martin and Liam Gillick. Open Country – Scotland, Musee Cantonal des Beaux Arts de Lausanne, Switzerland, 2001. Partage d’Exotismes, Biennale de Lyon, Halle Tony Garnier, Lyon, France, 2000 Pictura Britanica: Art From Britain, Museum of Contemporary Art , Sydney (traveled to Art Gallery of South Australia, Adelaide; City Gallery, Wellington, Australia) Essay by James Roberts. Progressive Disorder, D.C.A. Dundee & Bookworks, London, 2001.. Riviera, Oriel Mostyn, Llandudno, Wales, essay by Andrew Wilson Sampled: The use of Fabric in Sculpture / Essays in the study of Sculpture, Henry Moore institute, 1999. Essays by Gerard Williams, Gill Nicol, Fiona Russel. Sawn - Off, Stockholm, Sweden, Essay by Frances McKee Sculpturen Projeckte 3, Munster, 1997 Self Conscious State, Glasgow, Scotland, 1990. Spectacular Bodies, University of California Press: Hayward Gallery, London, 2000. Project for Frieze Magazine, Issue no. 6, 1992. The Spine, Essays by Saskia Bos, and Edna van Duyn Project for Creative Camera Feb/March 1994. The Turner Prize, Tate Gallery, London, Great Britain, 1997. Essay by Virginia Button. Walter Benjamin’s Briefcase, Oporto, Portugal, 1993. Essay by Andrew Renton Warning Shots, Contemporary Art Exploring Themes of Conflict and Violence, Royal Armouries Museum London, 2000. ARTICLES DE PREMSA Dillon, Brian. “Christine Borland,” Frieze, June/July/Aug., 2004, p. 133-4. Henry, Clare. “We’ll Take Manhattan,” The Scotsman, March 18, 2003. Jeffrey, Moira. “Scotland,” Contemporary, No. 55, 2003, pp. 40-41. Jeffrey, Moira. “Glasgow News,” Contemporary, No. 55, 2003, p. 19. Rush, Michael. “Starting With Fabric, Branching Into Everything”, The New York Times, February 2, 2003 p.35. “Liquid Sea”, MCA Preview/Exhibitions Online, March, 2003. "M Calendar: Gene(sis): Contemporary Art Explores Human Genomics," Museum News, May/June 2002, p. 18. "Mirroring Evil: Nazi Imagery/Recent Art is Accompanied by Programs and Catalogue," The Jewish Museum Member News, Spring 2002, pp. 1, 4, 6. "News. Seattle: Genesis," Flash Art, March – April 2002 (vol. 34, no. 223), p. 45. Atkins, Robert. "Bringing Nazi Symbols to the Jewish Museum," ARTnews, March 2002, pp. 46, 48. Basye, Ali. "Gene(sis): Contemporary Art Explores Human Genomics," Seattle Magazine, April 2002. Broberg, Brad. "The Art of Human Genomics," Puget Sound Business Journal, March 22, 2002. Buck, Louisa. "Cathy de Monchaux Goes Aural in Very Mixed Company," The Art Newspaper, February 2002, p. 22. Camhi, Leslie. "Peering Under the Skin of Monsters," The New York Times, March 17, 2002, pp. 36, 39. Dannatt, Adrian. "Never Say Close," The Art Newspaper, March 2002 (No. 123), p. 20. D’Arcy, David. "Oy Vey?" The Art Newspaper, February 2002, p. 21. Farr, Sheila. "A Dim View of Glowing Bunny as Art," The Seattle Times, May 5, 2002, p. K3. Haberman, Clyde. "Art, Tragedy and the Eye of a Beholder," The New York Times, March 13, 2002, p. B1. Hackett, Regina. "Messing with Mother Nature," Seattle Post Intelligencer, April 6, 2002, pp. E1, E3. Hall, Emily. "Haunted Houses," Visual Art, April 4, 2002. Heartney, Eleanor. "Out of the Bunker," Art in America, July 2002 (no. 7), pp. 43-49. Henderson, Deidtra. "Art Ponders Genome Implications," Boston Sunday Globe, April 7, 2002, p. 32. Hitt, Jack. "America’s Problem with Modern Art," The New York Times, March 17, 2002, p. 3. Johnson, Patricia C.. "Christine Borland Allows Science and Art to Collide," Houston Chronicle, May 3, 2002, pp. 1D, 8D. Klaasmeyer, Kelly. "Strong Medicine," Houston Press, June 13-19, 2002. Madoff, Steven Henry. "The Wonders of Genetics Breed a New Art," The New York Times, May 26, 2002. Nochlin, Linda. "Mirroring Evil: Nazi Imagery/Recent Art," Artforum, Summer 2002 (vol. 40, no. 10), pp. 167-168. Reich, Walter. "Appropriating the Holocaust," The New York Times, March 15, 2002, p. A23. Saltz, Jerry. "Mild Thing," The Village Voice, April 2, 2002 (vol. 48, no. 13, p. 55. Smee, Sebastian. "Genetics a Go-Go in Brno," The Art Newspaper, May 2002, p. 19. Sorensen, Eric. "Seattle Show Brings DNA Debate to Life," Seattle Times, April 6, 2002, pp. A1, A6. Cowan, Amber. "Art: Five best shows nationwide," The Times [UK] Saturday, March 10, 2001. Grieve, Lara. "Christine Borland, Artist in Profile," British Broadcasting Corporation (BBC) Online. April 2001. "Humid," Make. Issue 91, March-May 2001. Jaeger, William. "Genetic Codes," Times Union, September 30, 2001, pp. 11, 12. Maiden, Emma. "Humid," Venue. February 2001. Milroy, Sarah. "Scottish Artist’s Work Framed by Terrorism," The Globe and Mail, November 17, 2001. Petteys, Martha. "Science through Art: Tang Exhibit Opens Eyes to Genetics and More," The Post-Star, Glens Falls, September 15, 2001. Scott, Andrea K. "Art Reviews ’G3NY13’ Casey Kaplan," Time Out New York. April 12 – 19, 2001, no. 290, p. 52 Sozanski, Edward J. "Avant-Garde Trends in Photography," The Philadelphia Inquirer, May 4, 2001. Temin, Christine. "Exploring the Ties that Bind," The Boston Globe, October 24, 2001. "Christine Borland: Treasury of Human Inheritance," The British Council. Activitats Culturals, April, May, and June 2000. "The Critical Guide" The Sunday Times Ecosse. January 2, 2000. "Our Critics Recommend this Month – Visual Art" Sunday Herald [UK] January 2, 2000 "Voice Choices" The Village Voice. April 4, 2000, p. 82. The Courier. January 13, 2000. The List [UK] January 20, 2000. The List [UK] January 6, 2000. Borràs, Maria Lluïsa. "La línea entre la vida y la muerte," La Vanguardia. Viernes, May 12, 2000. Clot, Manel. "Christine Borland," Lápiz No. 163. Año XIX, p.85. Heartney, Eleanor. Review; "Chistine Borland at Sean Kelly." Art in America. September 2000, p. 142. Hunt, David. [Review of Christine Borland: Spirit Collection] Time Out New York. April 13-20, 2000, p. 70. McLaren, Duncan. "Pick of the Galleries: Surreal Dreamworlds and Genetic Codes", Independent on Sunday, January 9, 2000. Mahoney, Robert. "Christine Borland," Artnet.com Magazine Reviews, March 30, 2000. Molina, Angela. "Bajo el estigma de Frankestein," ABC Cultural. May 13, 2000, p. 37. New York Contemporary Art Report. March/April 2000, pp. 54-55. Pol, Marta. "Fusió complexa entre ciència i art: Christine Borland," Avvi. May 25, 2000. Riding, Alan. "The Human Body in Its Aesthetic Glory and Scientific Gore," The New York Times. Monday, November 27, 2000, p. E1 - E2. Serrra, Catalina. "Hermosa Imperfección: El debates de la nueva ciencia es abordo por Christine Borland," El Pais. May 13,2000, p.18. The New Yorker. March 27, 2000, p. 19-20. Time Out New York. March 23-30, 2000, pp. 108, 110. Review of Christine Borland at Dundee Contemporary Arts] Contemporary Visual Art. December, 1999. "Around the Galleries" The Times [UK]. November 24, 1999. "Breaking Through the Barriers" The Courier [UK]. December 17, 1999. "DNA-based Exhibition" Press & Journal. November 18, 1999. "Examining DNA at DCA" Forfar Dispatch [UK]. November 12,1999. "Exhibition looks at life" The Courier [UK]. November 22, 1999. "Gallery and Museums News" Art Monthly. March, no. 224, pp. 22-23. "Gallery and Museums News" Art Monthly. May, no. 226, pp. 16-17. "New Exhibition" Press & Journal [UK]. November 12, 1999. "The Critical Guide" The Sunday Times Ecosse. November 14, 1999. "The Critical List" Sunday Times (Culture Magazine) [UK]. December 5, 1999. "The Guide Tuesday – Picks of the Day" The Guardian [UK]. November 23, 1999. Beaumont, Susanna. "Work Ethics" The List [UK]. November 18, 1999. Brown, Allan. "Through a Jellyfish, Darkly" The Sunday Times Ecosse. October 31,1999, p. 5. Burrows, David. Locale. June 1999, no.227, pp. 31-35. Cumming, Laura. "More Skeletons in the Closet" The Sunday Observer [UK] December 5, 1999. Donald, Ann. Sting in the Tale of Ethics. The Herald [UK]. November 25, 1999. Fulcher, Dawn. "Christine Borland" Contemporary Visual Arts. Issue 26, Nov 1999, p. 79. Henry, Clare. "Prime example of ingenuity" The Herald. (Glasgow), 22 March. Jeffrey, Moira. "Hotbed of Artistic Excellence" Sunday Herald (Scotland). December 19, 1999. Jeffrey, Moira. "Smiling in the Face of Death" Sunday Herald (Scotland). November 14, 1999. Jones, Jonathan. "Picks of the Day, Exhibitions" The Guardian / The Guide. Nov 23, 1999. The List [UK] November 18, 1999. The List [UK] December 16, 1999. Macmillan, Duncan. "The Stuff of Life" The Scotsman, November 20, 1999, p. 18. Mahoney, Elisbeth. "The Appliance of Science" Scotland on Sunday. November 14, 1999. Mahoney, Elisabeth. "High Red Center" Art Monthly. March, no. 22-23, pp. 27-29. Mahoney, Elisabeth. "More Than Just a Pretty Jellyfish" The Guardian. November 30, 1999. McEwen, John. "If the Surrealist Cap Fits, Wear It" The Sunday Telegraph [UK] December 12, 1999. R.R.. "Laying Cultural Foundations" Tate Magazine. Spring, 1999 p. 16. Sunday Herald [UK]. November 14, 1999. Sutherland, Giles. "Around the Galleries" The Times. Nov 24, 1999. The Scotsman "i" Magazine. November 20, 1999. Thompson, Ron. "Once Bitten—Twice Shy!" The Courier [UK]. November 3, 1999. Vendrame, Somona. "Il corpo indelebile e la sua caducità? Tema Celeste. No. 74/99, June 1999, p. 32-39. Zoo. March, 1999, issue 1, pp. 152-153. "Christine Borland" De Volkskrant. November, 1998. Jager, Ida. "Onderzoeken naar de Vergankelijkheid" November, 1998, pp. 37-38. "Laying Cultural Foundations" Tate Magazine. Lind, Maria. "Country Cousins: The Relative Peripheries in Contact.’ Trans / arts.cultures.media, Issue No. 5 Schumacher, Rogie. "De Stoffelijke Overschotten van Kopjes" December, 1998. Ter Borg, Lucette. "Naïeve Griezelarij van Alice in Wonderland." De Volkskrant. December, 1998. Van de Velde, Paola. "Skelet van het Postorderbedrijf" De Telegraaf. November, 1998. Alberge, Dalya. "All women shortlist takes Turner by surprise" The Times. June 18, 1997. Alleyne, Richard. "Women Behaving Badly (also known as the Turner Prize)" June 18, 1997. Barrett, David. "Christine Borland" Frieze. Issue 35, July, pp. 81-82. Bevan, Roger, "Babes in arms" The Art Newspaper. No.67, February, pp.23-26. Bredin, Lucinda. "Tie a knot in that bone" Sunday Telegraph. London, April 6, 1997. ‹ Burton, Jane. The Express. April 1 Campbell-Johnston, Rachel "The Turner pickles its sacred cow" The Times. June, 1997. Coomer, Martin. "Rogues gallery" Time Out (London). November 26 - December 3, 1997, p.28. Cork, Richard. "Get some bones, get a life" The Times. London April 29, 1997. Cork, Richard "Intimations" The Times. April 8, 1997. Dorment, Richard. "Ello, ‘ello – what’s going on here?" The Daily Telegraph. November 5, 1997 Dorment, Richard. "Hypnotic power of the object" The Daily Telegraph. London, April 23, 1997. Ebner, Jorn. "Wer reich ist, hat Geschichte; In London: Cindy Bernard, Guiseppe, Gabellone, Christine Borland" Frankfurter Allgemeine Zeitung. April 1997. Eggleton, David. "Waiving the Rules" Listener. March 7, pp. 38-39. Feldman, Melissa E.. "Christine Borland at Lisson" Art in America. November 1997. Graham-Dixon, Andrew. "The Female Gaze" December, pp.232-239. Green, David "Bringing it all back home" Contemporary Visual Arts. Issue 16, pp. 54-60 Januszczak, Waldemar "A true reflection of the age" The Sunday Times. April 13, 1997. Jobey, Liz. "A rat race?" The Guardian weekend supplement. October 4, pp. 28-37. Kemp, Martin. "Hidden dimensions" Tate Magazine. Issue 13, Winter 1997, pp. 40-44. Kent, Sarah. "Christine Borland" Time Out. (London), April 30, 1997.‹ Kent, Sarah. "Culture Club" Time Out. (London) April 16-23, 1997. Kyriacou, Sotiris. "Christine Borland, The Lisson Gallery" Art Monthly. June 1997, pp. 31- 32. Lister, David. "Turner Prize set for all-women shortlist" The Independent. June 16, 1997. MacRitchie, Lynn "An all women lineñup for the Turner Prize" The Financial Times. June 18, 1997. Mélissent, Céline. "Anatomie du crime" Omnibus. Paris, No 21, July 1997. Morrison, Ewan. "Three steps in the demise of deconstruction" Variant. Vol. 2, No. 4, Autumn, pp. 8-11. Moszynska, Anna. "Sugar and spice: the Turner Prize" Untitled. no.14, Winter 1997. O Reilly, John. "The object of seeing" The Independent Long Weekend. April 5, 1997. "Pictura Britannica: Art from Britain" State of Mind. August-November, p. 9. Radok, Stephanie. "Que pasa? British Despair" The Adelaide Review. January 1997. Reynolds, Nigel. "The Turner shortlist is for women only" Rondi, Joelle. "British Spring" Artpress. No. 225, June 1997. Searle, Adrian. "Bring on the naked dwarf" The Guardian (London) May 6, 1997. Shone, Richard. "Head Turners" Artforum. September 1997, p.73. Slyce, John. "Christine Borland" What’s On in London? May 7, 1997, p. 16. Slyce, John. "I Spy..." Dazed & Confused. No 36, pp.80-85. Slyce, John. "Material Culture: The Object in British Art, at Hayward Gallery" No. 75, Summer 1997. Stone, Rob. "The Woman in Possession: 9mm Beretta Pistol" Make (London), 76. June/July 1997. Thorncroft, Antony. "Dealers at the cutting edge" Financial Times. London, January 18, 1997. Withers, RL "On the gallop" Make (London), No 77, Sept-Nov 1997. Arnason, Gunnar. "What’s all this talk about Glasgow?" Vo.XI, No.1, Helsinki, Spring, pp.48-53. Brown, Katrina M., "Sawn Off" Art Monthly. No.196, London, May, pp.40-43. Burrows, David. "Strange Days" Art Monthly. September, 1996 Conrads, Martin. "Cineastische Aspekte, Christine Borland" (inteview) Neue Bildende Kunst. No.3, Berlin, June-July, pp.57-58. Feldman, Melissa E.. "21 Days of Darkness" Art Monthly. No.195, London, April, 1996, pp. 38-40. Hunt, Ian. "Serious Play" Frieze. Issue 26, January/February, 1996, pp.42-45 Ippolito, Jon. "Where Has All the Uncertainty Gone?" Flash Art. No.189, Milan, Summer, 1996, pp.83-87. Reindl, Uta M. "Maikafer flieg" Kunstforum. No.133, February-April, 1996, p.365. Schenk-Sorge, Jutta. "Christine Borland: From Life" Kunstforum. No.134, May- September, 1996, pp. 401-402. Vidal, Christine. "Christine Borland Dissonances" Le Voyeur. Autumn 1996. Wilson, Andrew. "Life v Art" Art Monthly. November, pp.1-4. Benjamin, Marina. "Trigger Happy" British Journal of Photography. London, May 17, 1995. Bevan Roger. "Home-made youth" The Art Newspaper. No.53, London, November, p.12. Dorment, Richard. Review of ‘Institute of Cultural Anxiety’, I.C.A., London, Great Britain The Daily Telegraph, 11th Jan. Dorment Richard. "Anything but boring" The Daily Telegraph. London, December 30, 1995. Findlay, Judith. "Trust. Tramway, Glasgow" Untitled. London, Summer, pp. 18-19 Grant, Simon. Review of ‘Institute of Cultural Anxiety’, I.C.A., London, Great Britain. Art Monthly, Issue 183. Higgins Ria. "Gun Shots" The Face (London), May 1995, pp.164-65. Morgan, Stuart. ‘The Future’s Not What It Used To Be.’ Frieze, Issue 21. Morgan, Stuart. Review of ‘From Life’, Tramway, Glasgow, Scotland. Frieze, Issue 20. O Reilly, John "Dark deeds from the darkroom" The Guardian. London, May 9, 1995. Richards, Jane. "Calling the shots" The Independent. London, May 19, 1995. The Art Newspaper, no. 38, May, 1994. Colin, Beatrice. "Christine Borland," The List Magazine. 1994. Cork, Richard. ‘The Institute of Cultural Anxiety’ The Times. (London), December 31, 1994. Creative Camera. London, Feb/March, 1994. Gibbs, Michael. Review of ‘The Spine’ De Appel, Amsterdam, Holland. Art Monthly Issue 174. Grout, Catherine. "Des Vertus De l’indisciplin et de l’Insignifiance. Ou l’Art Dans l’Espace Public" Artefactum. XI/52, Summer 1994, pp. 14-17. Kastner, Jeff . ‘A New Powerhouse’ Art News, September. Lind, Maria. "Interview: Christine Borland," Paletten. Sweden. Volume 4, 1994, Issue 219. Morgan, Stuart. Review of ‘The Spine’ De Appel, Amsterdam, Holland. Frieze, February. Renton, Andrew. "Christine Borland: Whose Things?" Real Life Magazine, Issue 23, 1994. Simon, Grant. Review of ‘Institute of Cultural Anxiety’ Art Monthly (London), Issue 183, 1994 Sinclair, Ross. ‘Faster Than A Pool of Piss on a Hot Summer Sidewalk’ Real Life, Issue 23. ‘Wonderful Life’ Nikkei Art, Japan no. 61, October 1994, p. 97. Wilson, Andrew. Review of ‘From Life’, Tramway, Glasgow, Scotland. Art Monthly, Issue 181. Archer, Michael. Review of ‘Christine Borland & Craig Richardson at Chisenhale Gallery.’ Art Monthly, April. Babius, Marius. Review of ‘Fontanelle’, Potsdam, Germany. Kunst Forum, November. Cottingham, Laura. Review of ‘Wonderful Life’, Lisson Gallery, London, Great Britain, Frieze, Issue 12. Dorment, Richard. Review of ‘Wonderful Life’ at Lisson Gallery, London, Great Britain, The Daily Telegraph, August 11. Henry, Clare. "The Best and Worst of 1993" Glasgow Herald. December 31, 1993. "It’s A Wonderful Life at the Lisson," Flash Art, Vol XXXVI, no. 172, p. 60. Lawler, Clark. Review of the Tyne International. Hybrid, Issue 4. Lubbock, Tom. Review of ‘Wonderful Life’ at Lisson Gallery, London, Great Britain. The Independent 10th August. MacRitchie, Lynne. Review of ‘Wonderful Life’ at Lisson Gallery, London, Great Britain. The Financial Times, September 17. Mellor, David Alan. "Wonderful Life" Untitled Winter, no. 3, p. 8. Renton, Andrew. "Overture: Christine Borland," Flash Art. Issue 171 Summer 1993, p. 99. Ruiko Harada. "From London" Bijutsu Techo Monthly Art Magazine Vol. 45, No. 768 , pp. 148-149. Sinclair, Ross. Review of the Tyne International. Art Monthly, August. Smee, James Olding Review of “Wonderful Life”, Lisson Gallery, London, Great Britain, Art Monthly, October. Wilson, Andrew. Review of "Wonderful Life" Forum international, Vol IV, no. 19, Oct/Nov 1993. Wilson, Andrew. Review of ‘Walter Benjamin’s Briefcase", Oporto, Portugal Art Monthly, Issue 172. Wilson, Lousie. Review of the Tyne International. Variant. September, 1993. Hunt, Ian. Review of ‘Guilt by Association’ Frieze, Issue 7. Lawson, Tom. ‘Guilt by Association’ [essay] Irish Museum of Modern Art. Self Conscious State, Project for Frieze Magazine, Issue no. 6, 1992. |
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| Galeria Toni Tàpies 0# Galeria 1# Artistes 2# Programa 3# Edicions 4# Catàlegs 5# Contacte 6# Notícies 7# Enllaços |
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